https://dspace.iiti.ac.in:8080/jspui/handle/123456789/9523 2026-05-12T17:00:57Z 2026-05-12T17:00:57Z Bali, Antriksh https://dspace.iiti.ac.in:8080/jspui/handle/123456789/10745 2025-09-22T06:48:37Z 2022-01-01T00:00:00Z

Title: Gods and Mathematicians Authors: Bali, Antriksh

2022-01-01T00:00:00Z Sajeev, C. Kavya https://dspace.iiti.ac.in:8080/jspui/handle/123456789/9687 2025-09-22T06:48:37Z 2022-01-01T00:00:00Z

Title: Taken Authors: Sajeev, C. Kavya Abstract: The poem “Taken” is a depiction of a woman’s anger towards her deity whom she blames for the loss of her child. Through the poem we get to know that the woman has gone through a miscarriage and is finding it difficult to come to terms with it, as she reminisces the time she had with her unborn baby with deep sorrow and pain. The woman holds her deity as the wrongdoer in the poem for taking away something that it had no right over and in turn making her lose her grasp on reality as she spirals into depression. In the poem the protagonist tells us about the many steps she had taken in order to have a future with her soon to be born child, how now they are all insignificant, and the thoughts and objects which were to bring her at most joy and pleasure have now turned into sore reminders of a depressing accident. The woman makes it clear that what has taken place is unlawful for she was the only one who had any right over the child and no one else could take it away from her. She is in a conflict with her own beliefs and finds her self trying to find a proper justification for the things that have taken place.

2022-01-01T00:00:00Z Ormstad, Ottar https://dspace.iiti.ac.in:8080/jspui/handle/123456789/9686 2025-09-22T06:48:37Z 2022-01-01T00:00:00Z

Title: YELLOWFLOWERPOWER Authors: Ormstad, Ottar Abstract: YELLOWFLOWERPOWER (2017) is the fifth film by Norwegian concrete poet Ottar Ormstad. Here again viewers encounter letter-carpets and a yellow y he identifies with. The work is based on slogans and song-titles from different countries at the end of the Sixties, presented in their original language, intentionally without translation. The texts are combined with photographs of sculptures from the Vigeland Park in Oslo/Norway, where Ormstad lives and shot the naked people exposed in stone and iron by sculptor Gustav Vigeland (1869–1943). This park is the largest in the world based on one artist and contains more than 200 works. The film also includes live video-footage of Charles Lloyd playing saxophone in front of a huge painting by Norwegian expressionist painter Edvard Munch (friend/enemy of Vigeland), as well as an unpublished photo of the young Mick Jagger, both shot in Oslo by Ormstad. Like in earlier works, Ormstad uses a strong sound in the very start for creating a period of silence at the beginning of the film. The animation is created in close collaboration between artist Margarida Paiva and Ormstad. YELLOWFLOWERPOWER invites viewers for an individual experience dependant upon the viewer's language background and tolerance towards non-translation.

2022-01-01T00:00:00Z Rafiq, Mohamed Kanimozhi https://dspace.iiti.ac.in:8080/jspui/handle/123456789/9685 2025-09-22T06:48:37Z 2022-01-01T00:00:00Z

Title: Nanaintha Kattaru Authors: Rafiq, Mohamed; Kanimozhi Abstract: This silent video poetry explores emotions which find its representation both in words and images.

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