The illusion of home and belongingness: a representation and (dis)location of home in Tabish Khair’s novels

Abstract

This paper foregrounds Khair’s two novels, The Bus Stopped and Filming: A Love Story, examining the concepts of home, representation, (dis)locations and its non-belongingness, focusing on the discourses of Indian nationalism and national identity. There is a massive gap between the living styles of rural and urban people in India. How people live in a country is vital to a modern nation and its nationalism. Khair says, ‘houses do not make homes’ because the concept of home varies according to the socio-economic conditions. Many poor people in India do not have a permanent home and constantly migrate from one place to another. They mostly make a temporary one-night stand for home, but unfortunately, their journey becomes a permanent home. That makes their existence neither inside nor outside society, creating a different kind of third space, but far more precarious than Bhabha’s notion of a third space. In Khair’s novels, the concept of third space is far less empowering than Bhabha’s notion of third space in postcolonial studies. Khair also shows that home is an illusion, not a permanent place that constantly changes like a dream and never gets concretised. © 2024 Informa UK Limited, trading as Taylor & Francis Group.