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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Kumar, Akshaya | en_US |
dc.date.accessioned | 2022-03-17T01:00:00Z | - |
dc.date.accessioned | 2022-03-21T10:48:19Z | - |
dc.date.available | 2022-03-17T01:00:00Z | - |
dc.date.available | 2022-03-21T10:48:19Z | - |
dc.date.issued | 2021 | - |
dc.identifier.citation | Kumar, A. (2021). The libidinal economy of vernacularisation: Modernity, sexuality and bhojpuri media. Media, Culture and Society, 43(4), 776-784. doi:10.1177/0163443721994543 | en_US |
dc.identifier.issn | 0163-4437 | - |
dc.identifier.other | EID(2-s2.0-85101269048) | - |
dc.identifier.uri | https://doi.org/10.1177/0163443721994543 | - |
dc.identifier.uri | https://dspace.iiti.ac.in/handle/123456789/6402 | - |
dc.description.abstract | The last two decades have witnessed a notable proliferation of media industries producing low-budget digital films and music videos. These media industries routinely stage a confrontation between modernity and a fantasy of pure cultural traditions. The bulk of their content deploys the male star as an extraordinary crossover figure – the only one capable of bringing modernity and its vernacular outsides on the negotiating table. Drawing upon the trajectory of Bhojpuri media industry – referring to the language spoken in parts of eastern Uttar Pradesh and western Bihar – this paper discusses, via Bruno Latour, the fundamental discord at the heart of modernity. I argue that the libidinal economy has emerged as a narrative simplification of the purifying imperative of modernity, haunted as it is by the concurrent hybridizing force-field. © The Author(s) 2021. | en_US |
dc.language.iso | en | en_US |
dc.publisher | SAGE Publications Ltd | en_US |
dc.source | Media, Culture and Society | en_US |
dc.title | The libidinal economy of vernacularisation: modernity, sexuality and Bhojpuri media | en_US |
dc.type | Journal Article | en_US |
Appears in Collections: | School of Humanities and Social Sciences |
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