Please use this identifier to cite or link to this item: https://dspace.iiti.ac.in/handle/123456789/6402
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dc.contributor.authorKumar, Akshayaen_US
dc.date.accessioned2022-03-17T01:00:00Z-
dc.date.accessioned2022-03-21T10:48:19Z-
dc.date.available2022-03-17T01:00:00Z-
dc.date.available2022-03-21T10:48:19Z-
dc.date.issued2021-
dc.identifier.citationKumar, A. (2021). The libidinal economy of vernacularisation: Modernity, sexuality and bhojpuri media. Media, Culture and Society, 43(4), 776-784. doi:10.1177/0163443721994543en_US
dc.identifier.issn0163-4437-
dc.identifier.otherEID(2-s2.0-85101269048)-
dc.identifier.urihttps://doi.org/10.1177/0163443721994543-
dc.identifier.urihttps://dspace.iiti.ac.in/handle/123456789/6402-
dc.description.abstractThe last two decades have witnessed a notable proliferation of media industries producing low-budget digital films and music videos. These media industries routinely stage a confrontation between modernity and a fantasy of pure cultural traditions. The bulk of their content deploys the male star as an extraordinary crossover figure – the only one capable of bringing modernity and its vernacular outsides on the negotiating table. Drawing upon the trajectory of Bhojpuri media industry – referring to the language spoken in parts of eastern Uttar Pradesh and western Bihar – this paper discusses, via Bruno Latour, the fundamental discord at the heart of modernity. I argue that the libidinal economy has emerged as a narrative simplification of the purifying imperative of modernity, haunted as it is by the concurrent hybridizing force-field. © The Author(s) 2021.en_US
dc.language.isoenen_US
dc.publisherSAGE Publications Ltden_US
dc.sourceMedia, Culture and Societyen_US
dc.titleThe libidinal economy of vernacularisation: modernity, sexuality and Bhojpuri mediaen_US
dc.typeJournal Articleen_US
Appears in Collections:School of Humanities and Social Sciences

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