Please use this identifier to cite or link to this item: https://dspace.iiti.ac.in/handle/123456789/6456
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dc.contributor.authorMenon, Nirmalaen_US
dc.date.accessioned2022-03-17T01:00:00Z-
dc.date.accessioned2022-03-21T10:48:27Z-
dc.date.available2022-03-17T01:00:00Z-
dc.date.available2022-03-21T10:48:27Z-
dc.date.issued2018-
dc.identifier.citationChowdhary, R., & Menon, N. (2018). Biopics as visual palimpsest: Mapping social hegemonies in bandit queen. Quarterly Review of Film and Video, 35(8), 770-786. doi:10.1080/10509208.2017.1381005en_US
dc.identifier.issn1050-9208-
dc.identifier.otherEID(2-s2.0-85031923614)-
dc.identifier.urihttps://doi.org/10.1080/10509208.2017.1381005-
dc.identifier.urihttps://dspace.iiti.ac.in/handle/123456789/6456-
dc.description.abstract[No abstract available]en_US
dc.language.isoenen_US
dc.publisherRoutledgeen_US
dc.sourceQuarterly Review of Film and Videoen_US
dc.titleBiopics as Visual Palimpsest: Mapping Social Hegemonies in Bandit Queenen_US
dc.typeJournal Articleen_US
Appears in Collections:School of Humanities and Social Sciences

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