Please use this identifier to cite or link to this item: https://dspace.iiti.ac.in/handle/123456789/6466
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dc.contributor.authorKumar, Akshayaen_US
dc.date.accessioned2022-03-17T01:00:00Z-
dc.date.accessioned2022-03-21T10:48:28Z-
dc.date.available2022-03-17T01:00:00Z-
dc.date.available2022-03-21T10:48:28Z-
dc.date.issued2018-
dc.identifier.citationKumar, A. (2018). Media portfolios aer credit scoring: Attention, prediction, and advertising in indian media networks. Postmodern Culture, 28(2)en_US
dc.identifier.issn1053-1920-
dc.identifier.otherEID(2-s2.0-85057617591)-
dc.identifier.urihttps://dspace.iiti.ac.in/handle/123456789/6466-
dc.description.abstractStudying the reconfiguration of the film economy aer the rise of satellite television, this essay draws upon media history in South Asia to tease out the repackaging of stardom in a changing media ecosystem, which commands the celebrity function to be more flexible and more willing to mount increasing debt upon its diversifying palette. The rise of calculable creditworthiness and sophisticated systems of prediction thus securitize media portfolios, while de-risking the business at the production end and distributing risk further downstream. The essay shows how targeted advertising comes to reign over this digital network as its preeminent language and what its consequences might be for consumer attention. Copyright © 2018 Postmodern Culture & the Johns Hopkins University Pressen_US
dc.language.isoenen_US
dc.publisherJohns Hopkins University Pressen_US
dc.sourcePostmodern Cultureen_US
dc.titleMedia portfolios aer credit scoring: Attention, prediction, and advertising in Indian media networksen_US
dc.typeJournal Articleen_US
Appears in Collections:School of Humanities and Social Sciences

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